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    • HOME
    • THEATER
    • REVIEWS
    • VIDEOS
    • WEB | TV + FILM
    • OPERA
    • ABOUT ME
    • CONTACT

  • HOME
  • THEATER
  • REVIEWS
  • VIDEOS
  • WEB | TV + FILM
  • OPERA
  • ABOUT ME
  • CONTACT

OPERA to Theater

AUDREY FEDERICI MARIA CALLAS

A unique skillset

A Strong Foundation

 

  • Versatility | While  classical and operatic training focuses on a specific genre, it also  provides a strong foundation in music theory and vocal technique. This  versatility allows me to adapt to various musical styles and genres, a  valuable asset in theater, where shows often combine musical styles to  convey different emotions and narratives.
  • Vocal Mastery | Classical  and operatic training emphasizes vocal control, projection, and  technique. These skills are essential for performing on Broadway stages,  where the demands on the voice can be rigorous. With this training, I  can deliver powerful and controlled vocal performances that captivate  the audience, ensuring the music is heard and felt with clarity and  emotion.
  • Language Skills | I  have performed numerous operas in languages other than English,  including Italian, French, German, and Russian. This has given me a  solid grounding in diction and pronunciation, which is essential when  performing shows requiring specific accents or linguistic nuances.
  • Musicality | Classical  and operatic training consistantly emphasize musicality and phrasing.  This musical sensitivity allows me to connect deeply with the score and  interpret it with nuance and emotion, elevating the musical aspect of a  production.
  • Vocal Technique | One of the most critical aspects of classical training is breath control while understanding the subtle distinction of vocal production. These skills and understanding are vital for  sustaining long, powerful notes and delivering consistent vocal  performances.

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