My foundation in opera was shaped by Mignon Dunn, an exacting vocal technician who taught me to develop voice and character together. That work gave me the tools to sustain a role vocally while remaining fully present in its story.
Classical training gave me a strong vocal technique and a precise ear for music and language.
As I moved into musical theater, my studies with Ira Siff deepened my understanding of vocal technique and pedagogy, with character development at the center.
I bring the discipline of opera and the instincts of an actor to every role, while staying true to the storytelling of musical theater.
